East Anglian Stitch Textiles (E.A.S.T) was formed in 1995 in response to a demand for a self-supporting framework for textile artists in East Anglia, UK.
The membership of this group commenced with ten artists and now has fifteen.
Since it's inception E.A.S.T has had a close relationship with Braintree District Museum where it meets monthly and held the first E.A.S.T exhibition in 1997.The group continues to be mentored by Anthea Godfrey, Artistic Director of the Embroiderer's Guild.
Sunday, 2 December 2018
Sunday, 11 November 2018
Oceania, is one of the current exhibitions at the Royal Academy in London (continues until 10 December 2018). This is a personal reflection of some of the issues and objects I found particularly interesting but especially those linked to textile art.
On entering the gallery you are confronted by an enormous blue cloth - stitched and slashed - made by the artist Kiko Moana of New Zealand. It seemed to me the perfect illustration for an exhibition that was considering the art and cultures of a region both connected and divided by water. As a modern work it was also a reminder that this is not about an art and culture from the past - this was an exploration of Oceania throughout its history.
The second art work was a film, Tell Them, by Kathy Jetnil-Kijna. It begins with a description of a piece of jewellery, leads to a discussion about Marshall Island and its people, and ends with their fears for the future. It was about the links between cultures. It was a reminder that actions in one part of the world impacts on others.
The exhibition continues with a vast array of items - canoes, figures, musical instruments, navigational charts each one telling just a little about a vast array of diverse communities. There were also plenty of textile items. There were many pieces of bark cloth but also pieces of patchwork. The relevance of Samoan fine mat was fascinating in that these precious items were also used in ceremonies of reconciliation.
In addition there were several pieces of jewellery.
Wednesday, 31 October 2018
Sunday, 28 October 2018
Jenny expertly guided us through some variations of this fascinating natural dyeing method, and we produced several samples with a range of effects.
I felt totally immersed (no pun intended) in this workshop, and spent much of Sunday thinking how I'll be using what I've just learned in my current project. For the Power of Stitch, EAST's 2019 exhibition theme, I'm focusing on Caister, on the Norfolk coast, and I think I may have just found the perfect North Sea muddy blue, courtesy of Jenny and some purple carrots ... watch this space!
Kay Mullenger, October 2018
Wednesday, 24 October 2018
Saturday, 22 September 2018
I put 100 grams of ground madder in a 4 pint plastic bottle and filled nearly to the top with water.
Every day I removed the lid to let any gases out and gave it a good shake. Madder works better in a high PH and fermentation tends to make the dye acidic so after a week I added a teaspoon of slaked lime.
Sunday, 16 September 2018
Friday, 14 September 2018
Sunday, 9 September 2018
The first method we used was applying the flour paste straight on to fabric, spreading it thinly with a spatula allowing it to dry and then scratching marks into it. Also applying the paste through a needle nosed bottle. Then applying colour using screen printing inks, not a method I would normally use being more familiar with procion dye paste but the screen inks are more instant.
A really enjoyable day learning a new (to me) technique, one I think I will probably use in the future but using my preferred procion dye paste.
Wednesday, 29 August 2018